- 10 digital and virtual analog oscillators (An.Saw, D.Saw, Saw HB, Saw DB, VNT Saw, An.Ramp, D.Ramp, D.Square, Square, Pulse)
- Vintage virtual analog filter with resonance, sharp and organic sound.
- Unison/chorus effect
- Non-linear saturation unit
- PingPong stereo delay
- Amp/filter envelope
- Portamento


Renegade Analog monster VSTi.




The joining of two worlds - the digital and the analog. The Renegade combines the warm and organic sound of vintage analog synths with the sharpness, toughness and precision of digital sound processing. Renegades design is based on the algorithms of DSP chips and the analog circuits of real hardware synthesizers. It includes special features like the Supersaw oscillator, serial combinations of vintage analog filters with clear-cut and robust digital filters and the amplifier section which boasts internal clipping suppression and non-linear analog saturation. Renegade has been designed to supply tough, well defined lead sounds, fat basses and juicy organic analog sounds. The Renegade is a very flexible synthesizer and can be used to create many types of music, but is most effective when used to create the following music styles: Trance, Dance, Drum and Bass, Breakbeat, Electro, EBM, Tek House, Psytrance and Goa. The Renegade also includes more than 120 professional presets of various types including Bass, Classic, Leads, Drum and Bass and Psytrance patches.

Features:

- 1x Supersaw oscillator with fat unison sound, 2 modes (Dual , Spread) spread amount knob (amount of unison detune)
and 15 different shapes of oscillator
- 2x Digital and virtual analog oscillators with sharp sound, PWM modulation and Phase modulation knob.
15 different shapes of oscillator (Sine, W.Sine, Ab.Sine, An.Saw, D.Saw, Saw HB, Saw DB,VNT Saw, An.Ramp, D.Ramp,
D.Square, PWM Pulse, Triangle, Square, Noise)
- Free-running low frequency oscillator (shapes: Sine, Saw, Triangle, Square, Noise)
- Vintage analog LP filter (based on real analog circuits from famous vintage synthesizers) featuring a liquid, organic and
warm sound. Tracking knob.
- Virtual analog/digital filter with a sharp and precise digital sound. 8 different types of filters and special G-Filters based
on algorithms from hardware synthesizers with DSP chips (digital simulation of analog synthesis)
- G-Low pass Filter
- G-Band pass Filter
- G-High pass Filter
- LowPass Filter
- BandPass Filter
- HighPass Filter
- Notch Filter
- Peaking Filter
- Filter Velocity and Tracking
- Fast linear Filter envelope and Amplitude envelope
- LFO modulations: Cutoff, Phase 1/ PWM ,Phase 2 / PWM, Osc1, Osc2, Osc3
- Chorus / Unison stereo detune simulation effect.
- Ping-Pong Stereo delay
- Non-Linear Saturation Unit, Analog based amplifier section
- Preset manager
- Digital algorythms written in C++/Assembler based on real analog circuits and codes from DSP chips.
- More than 120 Professional presets in the following categories: Bass, Classic, Leads, Drum and Bass, Psytrance


XBass 4000 VST.




XBass 4000 is a new and unique VST effect plug-in designed to facilitate the maximization the bass frequencies. The virtual circuits of the XBass 4000 combine two different algorithms in order to emphasize the bass spectrum of the track: - The psychoacoustic algorithm, BassEnhancer, that emphasizes the intensity of the audible bass content - An analog style saturation unit that enriches the bass spectrum of the tone to reproduce the “fat” and “warm” sounds known and loved in vintage tube circuits. It also boosts higher harmonic frequencies to expand and enliven the audible spectrum as well as sub-bass spectrum XBass 4000 is excellent for synthetic and acoustic basses and enriches kick-drums to give them the energy you need to drive your track. It sounds great together with our Psytrance bass synthesizer, Alien303. Use it in the following configuration: first XBass for the kick-drum and the second one for the Alien bassline.

Features:

- A special distorted bass bell filter for a selecting the bass spectrum that should be maximized. It is possible to select a wide spectrum of bass frequencies – from the deepest sub-basses at 15hz to medium-bass frequencies. It’s also possible to set a Slope–Q range for the selected frequencies.
- A psychoacoustic circuit called Bass Enhancer that emphasizes the intensity of the bass spectrum. It uses special algorithms to process sounds using psychoacoustic techniques.
- A saturation unit that emulates vintage analog tube circuitry which gives the user the ability to adjust the amount of bass saturation and the volume of audible bass saturation.
- Control of the output volume
- Graphical dB meter showing the level of output volume


Dubmaster Liquid Delay VST





The Dubmaster - Liquid Delay is a new era in the digital delay area. It brings the original, specific liquid sound that could never be heard from the classic Delay systems. Even though the internal structure of the Liquid Delay is very specific, it generated sound is still very musical, pleasant and natural. It fulfills your tracks with special atmosphere and add a very original sounds to your records. The Dubmaster - Liquid Delay is BMP synchronized delay with special feature called DubRhythm which allows you to set the smooth non-rhythmics distortion that makes the specific smoked sound known from Jamaica Reggae and Dub tracks. It includes all the necessary features for setting the wide spectrum of various fascinating sound echoes: Delay Module for setting various number of stages 1-8, feedback amount, LR pan, Dry/Wet feature. The original, beautiful liquid sound is also generated by unique FX module called Liquid Phase. It's a special modulation effect which combines specific phase modulator and flanger
It allows you to produce a wide spectrum of variously colored echoes - from crystal glittering sound through stoned Jamaica vintage to total psychedelic twisted modulations that really surprise you. The Dry/Wet knob for adjusting the level of the effect is included as well, of course. The original liquid sound is also enhanced by filter unit with three analog modeled Low pass, Band pass and High pass filters with adjustable value of Cut off, Resonance and smoothly adjustable level of Drive, which makes the classic saturated distorted sound. In addition the Dubmaster - Liquid Delay also contains free running Low frequency oscillator which can modulate the filter by the Saw, Sine, Triangle and Square waves with adjustable level of rate and depth. The Dubmaster - Liquid Delay is recommended to be used on single FX channel together with additional reverb. It sounds great together with dub beats and percussions. It sounds beautiful with every acoustic guitar or piano. But the Dubmaster is not only the Raggae/Dub delay, it also sounds great in other musical styles from nu-jazz to abstract hip-hop, from pop to electronic music, breakbeat, psytrance or chillout. Excellent sound is also achieved in conjunction with virtual analog synthesizers, electronic SFX sounds or experimental digital beats. If you want to make your tracks special go the Dubmaster way. Just try it.

Features:

- BPM Synchronized Dub Delay unit with Feedback, Pan and Dry/Wet control. Also includes special feature called DubRythm for smooth
non-rhythmical time distortions in classic dub/reggae style
- Module for set-up number of echo stages ( from 1 to 8 )
- Special FX module called "Liquid phase effect unit" with parameters like: Tone, Depth, Frequency, Jet, Dry/Wet and unique crystal clear liquid sound
- Virtual analog filter stage with Low pass, Band Pass, High pass filters with juicy liquid analog sound and classic parameters like Cutoff and Resonance + non-linear saturation effect with adjustable parameter Drive
- Free running Low frequency oscillator ( LFO ), which can modulate cutoff of filters with waves like Saw, Sine, Triangle and Square with adjustable amount of rate and depth
- Control parameters of Input and Output sound level and Bypass On/Off switch
- Preset manager
- Digital algorythms written in C++ / Assembler based on codes from DSP chips.
- More than 40 presets modeled for using with drums, percussions, guitars, bass and other instruments


Pultronic EQ-110P VST.




It is an emulation of the classic professional parametric vacuum tube equalizer from 50's and 60's. We programmed the Pultronic EQ-110P equalizer in the way that it can add real and hearable warm, color and dynamics of the vacuum tube devices into your music. Many frequency and amplitude analysis of input and output impulses from real vintage vacuum tubes were used during the development. These impulses were recorded via the real vintage devices which allowed us to achieve the excellent and realistic results. Thanks to this process you can choose from several algorithms which emulate the various vacuum tubes in order to
achieve the wide spectrum of the music colors. We put our rich experience with analog electronic devices into the development of this product so the virtual schema of the Pultronic is very similar to the real circuits of the electronic equalizers. The equalizer contains 4 parametric filters: Low frequency cut, Low frequency boost, Middle frequency cut / boost, High frequency boost These equalizing circuits allow you to "sweet" color of the sound as well as softly saturate it and emphasize the bass and treble frequencies. The parameters like Warmth, Saturation and Brilliance can be used to adjust the characteristics of the output amplifying vacuum tubes. The Pultronic equalizer EQ-110P is suitable for recording, tracking and mixing. Don't hesitate to color your digital records with lovely&sweet as well as dirty&warm sound from the beautiful age of 60's !!!

Features:

- 4 parametric filters with sweet coloring sound:
- Low frequency cut
- Low Frequency boost
- Middle frequency cut / boost
- High frequency boost

All with the parameters like gain, boost, cut, frequency, bandwidth.

- The unique emulation of input and output amplifying vacuum tubes which closely imitates the all features and advantages of the vacuum tubes like: tender softening and limitation of the sharp transients, to soften and to sphere the sound, to color it, to solid it and to warm it. This technology is capable of adding the wide spectrum of harmonics including the first harmonics to your records. 1st harmonics is something that is very difficult to simulate in the digital world and it is very rare in digital plugins!
- Parametres Warmth, Saturation drive a Brillance
- 2X Oversampling and anti alliasing algorythms
- 5 selectable Low frequency vacuum tube types for selecting the final sound character of bass spectrum:
- Class A Tube
- Warm tube
- Vintage tube
- Dirty vintage tube
- 12AX7 Tube
- 6 selectable High frequency vacuum tube types for selecting the final sound character of high frequency spectrum:
- 12AX7 Tube
- Classic tube
- Warm tube
- Class A Tube
- Vintage tube
- Dirty vintage tube
- Input and output vacuum tube volume stages
- Bypass on/off function
- Preset Manager